@misc{Cembrzyńska_Patrycja_Zbylut_2022,
 author={Cembrzyńska, Patrycja},
 volume={20},
 editor={Institute of History of the Polish Academy of Sciences},
 copyright={Creative Commons Attribution BY-ND 4.0 license},
 address={Warszawa},
 journal={Polska 1944/45-1989 : studia i materiały},
 howpublished={online},
 year={2022},
 publisher={Instytut Historii PAN},
 language={pol},
 abstract={The article discusses the iconographic and ideological message of Zbylut Grzywacz’s paintings from the Beef Cycle, painted in the second half of the 1970s. The series is shown in the context of the supply problems in the Polish People’s Republic, the events of June ‘76 and the post-Yalta order of Europe. The question of the rudiments of actual historical events presented in Grzywacz’s work is combined with inquiries into the role of the painter’s dialogue with the traditions of art and tauromachy.},
 type={Text},
 title={Zbylut Grzywacz : sceny z KORridy},
 URL={http://rcin.org.pl/Content/238025/WA303_274270_B155-Polska-T-20-2022_Cembrzynska.pdf},
 keywords={Grzywacz, Zbylut (1939-2004), Beef Cycle, painting of the communist period, tauromachia, June ‘76, food shortages, meat, post-Yalta order of Europe, myth of the ‘abduction of Europe’, painting - Poland - history - 20th century, art, Polish - 20th century - themes, motives, art and society - Poland - history - 20th century, meat industry and trade - social aspects - Poland - 1945-1990},
}