TY - GEN N1 - Continues: Studia z Dziejów ZSRR i Europy Środkowej N1 - Publikacja dotowana ze środków publicznych Ministerstwa Nauki i Szkolnictwa Wyższego N1 - Summaries in English and Russian N1 - p. 79-146 N2 - The attitude of Czechoslovak cinema to male nudity and sexuality – especially the way in which homosexual phantasms were sublimated and transferred to the screen – unintentionally reveals “the other side” of the society of real socialism and discloses hidden strategies of the “device of sexuality” used by the totalitarian regime. On the example of two films, the Labakan (The False Prince) by Václav Krška of 1956, and Kluci z bronzu (Boys of Bronze) by Stanislav Strnad of 1980, we can follow the transformation and degeneration of film homosexual phantasms between the latter half of the fifties and the eighties of the twenty century. In Krška’s film – produced at the end of the Stalinist and socialist realism period – those phantasms offered both for its director and spectators refuge and shelter, and a kind of defence against oppressive social practices. Whereas Strnad’s film – the fundamental element of which was a right depiction of and propagandist support for Czechoslovak Spartakiads,– reveals in what way the homosexual imaginarium was during the period of socialist normalization manipulated, appropriated and harnessed by the communist dictatorship. L1 - http://rcin.org.pl/Content/64761/PDF/WA303_83870_A453-SzDR-52-2_Szymanski.pdf M3 - Text J2 - Studia z Dziejów Rosji i Europy Środkowo-Wschodniej T. 52 z. 2 (2017) PY - 2017 IS - 2 EP - 146 KW - Czechoslovak cinema KW - motion pictures - themes, motifs KW - Czechoslovakia - 1945-1992 KW - totalitarian indoctrination KW - homosexual phantasms KW - queer cinema KW - Krška, Václav (1900-1969) KW - Spartakiads KW - Strnad, Stanislav (1930-2012) A1 - Szymański, Karol A2 - Institute of History of the Polish Academy of Sciences PB - Institute of History of the Polish Academy of Sciences VL - 52 CY - Warszawa SP - 79 T1 - Degeneracja fantazmatu homoseksualnego w znormalizowanej kinematografii czechosłowackiej : od "Krawca i księcia" Václava Krški (1956) do "Chłopaków z brązu" Stanislava Strnada (1980) UR - http://rcin.org.pl/dlibra/publication/edition/64761 ER -