Object structure
Title:

Głuchy telefon. „Zrób to sam” jako innowacja i aktywizm

Subtitle:

Teksty Drugie Nr 2 (2020)

Creator:

Zdrodowska, Magdalena ORCID

Publisher:

IBL PAN

Place of publishing:

Warszawa

Date issued/created:

2020

Description:

21 cm ; Pol. text, eng. summary

Subject and Keywords:

activism ; disability ; invention ; innovation ; teletype ; technology

References:

1. Bauman H-D. L., Murray J.J., Deaf Gain: Raising the Stakes for Human Diversity, University of Minnesota Press, 2014.
2. Bauman Z., Szanse etyki w zglobalizowanym świecie, Znak, Kraków 2007.
3. Bodine C., Assistive Technology and Science, Sage, 2013. DOI
4. Davis, L. J., Enforcing Normalcy. Disability, Deafness and the Body, Verso, London, New York, 1995.
5. Dolmage J.T., Academic Ableism. Disability and Higher Education, University of Michigan Press 2017. DOI
6. Eckert R.C., Toward a Theory of Deaf Ethnos: Deafnicity - D/deaf (Hómaemon, Homóglosson, Homóthreskon), "Journal of Deaf Studies and Deaf Education" 2010, nr 15(4). DOI
7. Imrie R., Disability and the City: International Perspectives, SAGE Publications Ltd, 1996.
8. Jackson L., We Are the Original Lifehackers, "The New York Times" May 30, 2018; https://www.nytimes.com/2018/05/30/opinion/disability-design-lifehacks.html, data dostepu 4.01.2020
9. Lane H., Ethnicity, ethics, and the deaf-world, "Journal of Deaf Studies and Deaf Education", 2005, 10(3), s. 291-310. DOI
10. Lang H., A Phone of our Own. The Deaf Inssurection Against MA Bell, Gallaudet University Press, Washington 2000.
11. Lienhard J.H., How Invention Begins. Echoes of Old Voices in the Rise of New Machines, Oxford University Press, Oxford, New York, 2006.
12. Mazzucato M., The Entrepreneurial State: Debunking Public vs. Private Sector Myths; https://www.nytimes.com/2018/05/30/opinion/disability-design-lifehacks.html).
13. Mills M., Media and Prosthesis. The Vocoder, the Artificial Larynx, and the History of Signal Processing, "Qui Parle", 2012, vol. 21(1), s.107-149. DOI
14. Mills M., On Disability and Cybernetics: Helen Keller, Norbert Wiener, and the Hearing Glove, "A Journal of Feminist Cultural Studies", 2011, vol. 22(2,3). DOI
15. Norman D., Design na co dzień, Wydawnictwo Karakter, Kraków 2018.
16. Peltz Strauss K. A New Civil Right. Telecommunications Equality for Deaf and Hard of Hearing Americans, Gallaudet University Press, Washington 2006.
17. Petroski H., The Evolution of Useful Things, Vintage Books, New York 1994.
18. Rethinking modern prosthesis in Anglo-American commodity cultures, 1820-1939, red. C.L. Jones, Manchester University Press, 2017.
19. Usher A.P., A history of mechanical inventions, McGraw-Hill Book Company, New York 1929.
20. Williams B., Accessible America. A History of Disability and Design, New York University Press, 2019.
21. Wong A., Disability Visibility Podcast Episode 31: Disabled Inventors, https://disabilityvisibilityproject.com/2018/08/13/ep-31-disabled-inventors/, data dostępu 06.09.2018, s. 1.
22. Zdrodowska M., Technologia jako społeczna dystynkcja. Nieoczywiste relacje techniki i niepełnosprawności, "Kultura Współczesna", 2018, nr 3(102), s. 13-26.

Relation:

Teksty Drugie

Issue:

2

Start page:

30

End page:

47

Resource type:

Text

Detailed Resource Type:

Article : original article

Resource Identifier:

0867-0633 ; 10.18318/td.2020.2.3

Source:

IBL PAN, call no. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Creative Commons Attribution BY 4.0 license

Terms of use:

Copyright-protected material. [CC BY 4.0] May be used within the scope specified in Creative Commons Attribution BY 4.0 license, full text available at: ; -

Digitizing institution:

Institute of Literary Research of the Polish Academy of Sciences

Original in:

Library of the Institute of Literary Research PAS

Projects co-financed by:

Operational Program Digital Poland, 2014-2020, Measure 2.3: Digital accessibility and usefulness of public sector information; funds from the European Regional Development Fund and national co-financing from the state budget.

Access:

Open

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