Czytanie sztuki?
This publication is protected and can be accessed only from certain IPs.
This publication is protected and can be accessed only from certain IPs.

Title: Czytanie sztuki?


Teksty Drugie Nr 1-2 (2012)



Place of publishing:



21 cm ; Tekst pol., streszcz. ang.


1. E. van Alphen, Francis Bacon and the Loss of Self, London 1992, rozdz. 5. ; 2. M. Bal, N. Bryson, Semiotics and art history, "Art Bulletin" 1991 no 73 (2), s. 174-208. ; 3. M. Bal, Reading "Rembrandt". Beyond the word-image opposition, Cambridge 1991. ; 4. R. Barthes, Mit dzisiaj (1957), w: tegoż Mitologie, przeł. A. Dziadek, Warszawa 2008. ; 5. J.L. Borges, Pierre Menard, autor Don Kichota, przeł. A. Sobol-Jurczykowski, w: tegoż Fikcje, Warszawa 2003, s. 58-59. ; 6. G. Butler, Arnold Schwarzenegger. A portrait, New York 1990. ; 7. H.P. Chapman, Rembrandt's self-portraits, Princeton 1990. Death and dissymmetry. The politics of coherence in the Book of Judges, Chicago 1988. ; 8. J. Culler, Framing the sign. Criticism and its institutions, Norman 1988. ; 9. M. Foucault, "Panny Dworskie"("Las Meninas"), przeł. A. Tatarkiewicz, w: tegoż Słowa i rzeczy. Archeologia nauk humanistycznych, t. 1, słowo/obraz terytoria, Gdańsk 2000, s. 21-38. ; 10. Generations and geographies in the visual arts. Feminist readings, ed. G. Pollock, Routledge, London 1996, s. 24-41. ; 11. M. Jay, Downcast eyes. The denigration of vision in twentieth-century french thought, Cambridge 1993. ; 12. T. Komendziński, Znak i jego ciągłość: semiotyka C.S. Peirce'a między precepcją i recepcją, Toruń 1996. ; 13. L. Marin, Contrepoints, w: L'effet trompe-l'oeil dans l'art et la psychanalyse, red. R. Court i inni, Paris, s. 86. ; 14. L. Marin, The iconic text and the theory of enunciation. Luca Signorelli at Loreto (circa 1479-1484), "New Literary History" 1983 no 14(3), s. 253-296. ; 15. L. Marin, Towards a theory of reading in the visual arts. Poussin's "The Arcadian Shepherds", w: Calligram, ed. N. Bryson, Cambridge 1988, s. 63-90. ; 16. Ch.S. Peirce, Logic as semiotic. The theory of signs, w: Semiotics. An introductory anthology, ed. R.E. Innis, Bloomington 1984, s. 9-19. ; 17. G. Pollock, Avant-garde gambits, 1888-1893. Gender and the colour of art history, London 1992. ; 18. J. Rajchman, Foucault's art of seeing, "October" 1988 no 44 s. 89-117. ; 19. J. Searle, Las Meninas and the Paradoxes of Pictorial Representation, "Critical Inquiry" 1980 no 6, s. 486. ; 20. L. Steinberg, The sexuality of Christ in Renaissance and modern oblivion, New York 1983. ; 21. L. Steinberg, Velázquez. Las Meninas, "October" 1981 no 19, s. 45-54.


Teksty Drugie



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Resource Identifier:

oai:rcin.org.pl:47162 ; oai:rcin.org.pl:47162 ; 0867-0633 ; 10.18318/td.


IBL PAN, call no. P.I.2524 ; click here to follow the link



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Copyright-protected material. Access only on terminals at the Institute of Literary Research of the Polish Academy of Sciences, may be used within the limits of statutory user freedoms.

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Institute of Literary Research of the Polish Academy of Sciences

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Library of the Institute of Literary Research PAS

Projects co-financed by:

Programme Innovative Economy, 2010-2014, Priority Axis 2. R&D infrastructure ; European Union. European Regional Development Fund

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Dec 20, 2018

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Jul 25, 2014

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Bal M. - Czytanie sztuki? Dec 20, 2018


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