RCIN and OZwRCIN projects

Object

Title: From Global to Alter-Globalist Art History

Creator:

Piotrowski, Piotr ; Skotnicka, Marta : Tł.

Date issued/created:

2016

Resource type:

Text

Subtitle:

Vol. 1 (2015) - Special Issue - English Edition

Publisher:

IBL PAN

Place of publishing:

Warszawa

Description:

21 cm ; Text eng.

Type of object:

Journal/Article

References:

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8. J. Barriendos, Geopolitics of Global Art: The Reinvitation of Latin America as a Geoaesthetic Region in The Global Art World, Audiences, Markets, and Museums, ed. H. Belting, A. Buddensieg (Ostfildern: Hatje Cantz Verlag, 2009), 98-114.
9. L. Beke, Conceptual Tendencies in Eastern European Art in Global Conceptualism: Points of Origins, 1950-1980s, ed. L. Camnitzer, J. Farver, R. Weiss (New York: Queens Museum of Art, 1999),pp. 42-51.
10. G. Beker, The Globalization of the False: A Response to Okwui Enwezor in The Biennale Reader, ed. E. Filipovic et al. (Ostfildern: Hatje Canz Verlag, 2010), 446-453.
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21. Contemporary Art and the Museum.A Global Perspective, ed. P. Weibel, A. Buddensieg (Ostfildern: Hatje Cantz Verlag,2007).
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25. J. Elkins, Why Art History is Global in Globalization and Contemporary Art, ed. J. Harris (Chichester, Wiley-Blackwell, 2011), 375-386.
26. J. Elkins, Writing about Modernist Painting Outside Western Europe and North America in Compression vs. Expression. Containing and Explaining the World’s Art, ed. J. Onians (Williamstown MA, Sterling and Francine Clark Art Institute, 2006), 188-214.
27. O. Enwezor, Mega-Exhibitions and the Antinomies of a Transnational Global Form in The Biennale Reader, ed. E. Filipovic et al. (Ostfildern: Hatje Canz Verlag, 2010), 426-445.
28. Ch. Esche, Making Art Global: A Good Place or a No Place? in Making Art Global (Part 1). The Third Havana Biennial, 1989, ed. R. Weiss (London: Afterall, 2011), 8-13.
29. T. Fillitz, Contemporary Art of Africa. Coevalness in the Global World in The Global Art World, Audiences, Markets, and Museums, ed. H. Belting, A. Buddensieg (Ostfildern: Hatje Cantz Verlag, 2009), 116-134.
30. C. Freire, Arte Conceitual (Sao Paolo: Jorge Zahar, 2006).
31. Fromer West: BAK – basis vooor actuele kunst, Utrecht http://www.formerwest.org/.
32. A. Giunta, Avant-Garde, Internationalism, and Politics (Durham: Duke University Press, 2007).
33. The Global Art World. Audiences, Markets, and Museums, ed. H. Belting, A. Buddensieg (Ostfildern: Hatje Cantz Verlag, 2009).
34. Global Art, ed. Silvia von Bennigsen et al. (Ostfildern: Hatje Canz Verlag, 2009).
35. Global Conceptualism: Points of Origin, 1950-1980, ed. L. Camnitzer, J. Farver, R. Weiss (New York: Queens Museum of Art, 1999).
36. Global Studies. Mapping Contemporary Art and Culture, ed. H. Belting et al. (Ostfildern: Hatje Cantz Verlag, 20011).
37. Globalization and Contemporary Art, ed. J. Harris (Chichester: Wiley-Blackwell, 2011).
38. B. Groys, Art Power (Cambridge MA: The MIT Press, 2008).
39. B. Groys, Back from the Future in 2000+ Art East Collection. The Art of Eastern Europe, ed. Z. Badovinac, P. Weibel (Wien-Bozen: Folio Verlag, 2001), 9-14.
40. B. Groys, “From Medium to Message. The Art Exhibition as Model of a New World Order”, Open. Cahier on Art and the Public Domain (The Art Biennial as a Global Phenomenon) 16 (2009), 56-65.
41. B. Groys, History Becomes Form. Moscow Conceptualism (Cambridge MA: The MIT Press, 2010).
42. S. Guilbaut, Jak Nowy Jork ukradł ideę sztuki nowoczesnej. Ekspresjonizm abstrakcyjny, wolność i zimna wojna, trans. E. Mikina (Warszawa: Hotel Sztuki, 1992).
43. M. Hardt, A. Negri, Empire (Cambridge: Harvard University Press, 2001).
44. M. Hardt, A. Negri, Rzeczpospolita, trans. Praktyka Teoretyczna (Kraków: Ha!art, 2012).
45. B. H.-D. Buchloh, “Conceptual Art, 1962-1969: From the Aesthetics of Administration to the Critique of Institutions”, October 55 (Winter, 1990): 105-143.
46. R. Hoskote, Biennials of Resistance: Reflections on the Seventh Gwangju Biennial in The Biennale Reader, ed. E. Filipovic et al. (Ostfildern: Hatje Canz Verlag, 2010), 306-321.
47. Is Art History Global?, ed. J. Elkins (New York-London: Routledge, 2007).
48. M. Juneja, Global Art History and the “Burden of Representation” in Global Studies. Mapping Contemporary Art and Culture, ed. H. Belting et al. (Ostfildern: Hatje Canz Verlag, 2011), 274-297.
49. K. Kemp-Welch, C. Freire, “Artists’ Networks in Latin America and eastern Europe (Special Section/Introduction)”, Art Margins 2-3 (Vol. 1, 2012): 3-13.
50. Die Kunsthistoriographien in Ostmitteleuropa and der nationale Diskurs, ed. R. Born, A. Janatková, A. S. Labuda (Berlin: Gebrüder Man Verlag [Humboldt-Schriften zur Kunst- und Bildgeschichte], 2004).
51. R. Krauss, “The Cultural Logic of the Late Capitalist Museum”, October 54 (Fall, 1990): 3-17.
52. P. D. Leighten, Re-Ordering the Universe: Picasso and Anarchism, 1897-1914 (Princeton NJ: Princeton University Press, 1989).
53. N. Luhmann, Die Kunst der Gesellschaft (Frankurt am Main: Suhrkamp, 1995).
54. N. Luhmann, Soziale Systeme: Grundriss einer allgemeinen Theorie (Frankfurt am Main: Suhrkamp, 1984).
55. G. Piotrowski, Alterglobalism in Postsocialism. A Study of Central and Eastern European Activists (Florence: European University Institute, Department of Political and Social Sciences, 2011).
56. P. Mitter, “Intervention. Decentering Modernism: Art History and Avant-Garde Art from the Periphery”, The Art Bulletin 4 (vol. XC, 2008): 543-544.
57. P. Mitter, Reflections on Modern Art and National Identity in Colonial India: an Interview in Cosmopolitan Modernisms, ed. K. Mercer (Cambridge MA: The MIT Press, 2005), 24-49.
58. P. Mitter, The Triumph of Modernism. India’s Artists and the Avant-Garde, 1922-1947 (London: Reaktion Books, 2007).
59. Modern art in Africa, Asia, and Latin America. An Introduction to Global Modernisms, ed. E. O’Brien et al. (Chichester: Wiley-Blackwell, 2013).
60. G. Mosquera, The Marco Polo Syndrome. Some Problems around Art and Eurocentrism (1992) in The Biennale Reader, ed. E. Filipovic et al. (Ostfildern: Hatje Canz Verlag, 2010), 416-425.
61. J. Onians, A Brief Natural History of Art in Compression vs. Expression. Containing and Explaining the World’s Art, ed. J. Onians (Williamstown MA: Sterling and Francine Clark Art Institute, 2006), pp. 235-249.
62. J. Onians, Neuroarthistory. From Aristotle and Pliny to Baxandal and Zeki (New Haven CT: Yale University Press, 2008).
63. J. Onians, Neuroarthistory: Making More Sense of Art in World Art Studies: Exploring Concepts and Approaches, ed. K. Zijlmans, W. van Damme (Amsterdam: Valiz, 2008), 265-286;
64. P. Piotrowski, Agorafilia. Sztuka i demokracja w postkomunistycznej Europie (Poznań: Rebis, 2010), English edition: Art and Democracy in Post-Communist Europe (London: Reaktion, 2012).
65. P. Piotrowski, Awangarda w cieniu Jałty. Sztuka w Europie Środkowo-Wschodniej w latach 1945-1989 (Poznań: Rebis, 2005).
66. P. Piotrowski, Globalising Central-East European Art (typescript).
67. P. Piotrowski, „O horyzontalnej historii sztuki”, Artium Quaestiones XX (2009), 59-73.
68. P. Piotrowski, “On the Spatial Turn, Or Horizontal Art History”, Umeni/Art 5 (2008): 378-383.
69. B. Pejić, The Dialectics of Normality in After the Wall. Art and Culture in Post-Communist Europe, ed. B. Pejić, D. Elliott (Stockholm: Moderna Museet, 1999).
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71. M. C. Ramírez, Brokering Identities: Art Curators and the Politics of Cultural Representation in Thinking about Exhibitions, ed. R. Greenberg, B. W. Ferguson, S. Nairine (London: Routledge, 1996), 21-38.
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73. D. Skórczewski, „Wobec eurocentryzmu, dekolonizacji i postmodernizmu. O niektórych problemach teorii postkolonialnej i jej polskich perspektywach”, Teksty Drugie 1-2 (2008): 33-55.
74. P. Sloterdijk, In the World Interior of Capital: Towards a Philosophical Theory of Globalization, trans. W. Hoban (Cambridge: Polity Press 2013).
75. J. Sowa, Fantomowe ciało króla (Kraków: Universitas, 2011).
76. J. Stallabrass, Art Incorporated. The Story of Contemporary Art (Oxford: Oxford University Press, 2004).
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78. D. Summers, World Art History and the Rise of Western Modernism, or Goodbye to the Visual Arts in Compression vs. Expression. Containing and Explaining the World’s Art, ed. J. Onians (Williamstown MA, Sterling and Francine Clark Art Institute, 2006), 215-234.
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80. M. Tiampo, Cultural Mercantilism. Modernism’s Means of Production: the Gutai Group as Case Study in Globalization and Contemporary Art, ed. J. Harris (Chichester: Wiley-Blackwell, 2011), 212-224.
81. Die Totale Aufklärung. Moskauer Konzeptkunst, 1960-1990/ Total Enlightenment. Conceptual Art in Moscow, 1960-1990, ed. B. Groys et. al, (Frankfurt-Ostfildern: Kunsthalle/Hatje Canz Verlag, 2008).
82. V. Tupitsyn, The Museological Unconscious (Cambridge MA: The MIT Press, 2009).
83. I. Wallerstein, World-Systems Analysis: An Introduction (Duke University Press, 2005).
84. K. Wodiczko, „Miejsce Pamięci Ofiar 11 Września (Propozycja przekształcenia Nowego Jorku w „miejsce ucieczki”)”, Artium Quaestiones XIX (2008).
85. K. Zijlmans, The Discourse on Contemporary Art and the Globalization in World Art Studies: Exploring Concepts and Approaches, ed. K. Zijlmans, W. van Damme (Amsterdam: Valiz, 2008), 135-150.
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87. A. Żmijewski, Forget Fear, ed. A. Żmijewski, J. Warsza (Berlin: 7th Berlin Biennale for Contemporary Art, 2012).

Relation:

Teksty Drugie

Issue:

1

Start page:

112

End page:

134

Detailed Resource Type:

Article : original article

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:59977 ; 0867-0633 ; doi:10.18318/td.2015.en.1.8

Source:

IBL PAN, call no. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Rights Reserved - Free Access

Terms of use:

Copyright-protected material. May be used within the limits of statutory user freedoms

Digitizing institution:

Institute of Literary Research of the Polish Academy of Sciences

Original in:

Library of the Institute of Literary Research PAS

Projects co-financed by:

Programme Innovative Economy, 2010-2014, Priority Axis 2. R&D infrastructure ; European Union. European Regional Development Fund

Access:

Open

Object collections:

Last modified:

Oct 2, 2020

In our library since:

Oct 28, 2016

Number of object content downloads / hits:

3452

All available object's versions:

https://rcin.org.pl/publication/79759

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