Snapshots of Intimate Encounters
This publication is protected by copyright. Check the terms of use in the publication description.
This publication is protected by copyright. Check the terms of use in the publication description.

Title: Snapshots of Intimate Encounters


Vol. 2 (2015) - Special Issue - English Edition



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21 cm ; Pol. text, eng. summary


1. A. Azoulay, Civil Imagination: A Political Ontology of Photography, trans. L. Bethlehem (London, New York: Verso, 2012). ; 2. A. Azoulay, The Civil Contract of Photography, trans. R. Mazali and R. Danieli (New York: Zone Books, 2008). ; 3. A. Azoulay, From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947–1950, (London: Pluto Books, 2011). ; 4. A. Badiou, Ethics: An Essay on the Understanding of Evil, trans. P. Hallward (London: Verso, 2012). ; 5. S. Baldwin, Poverty and Politics: The Rise and Decline of the Farm Security Administration (Chapel Hill: University of North Carolina Press, 1968). ; 6. R. Barthes, Camera Lucida: Reflections on Photography, trans. R. Howard (New York: Hill and Wang, 1981). ; 7. W. Benjamin, “The Storyteller,” trans. H. Zohn, in The Novel: An Anthology of Criticism and Theory 1900-2000, ed. D. J. Hale (Malden: Blackwell Publishing, 2006). ; 8. W. Benjamin, Understanding Brecht, trans. A. Bostock (London: Verso, 1998). ; 9. J. Berger, “Uses of Photography,” in About looking (New York: Pantheon Books, 1980). ; 10. H. Bergson, Matter and Memory, trans. N. M. Paul and W. S. Palmer (New York: Zone Books, 1988). ; 11. E. Caldwell, M. Bourke-White, You have seen their faces (Athens, London: Brown Thrasher Books, 1995). ; 12. H. Cartier-Bresson, The Decisive Moment (New York: Simon and Schuster, 1952). ; 13. H. Damisch, Ciné fil (Paris: Seuil, 2008). ; 14. G. Didi-Huberman, Invention de l’hystérie: Charcot et l’iconographie photographique de la Salpêtrière (Paris: Macula, 1982), 9–82. ; 15. Th. de Duve, “Time Exposure and Snapshot: The Photograph as Paradox,” in Photography Theory, ed. J. Elkins (New York, London: Routledge, 2007). ; 16. C. A. Finnegan, Picturing Poverty: Print Culture and FSA Photographs (Washington, D.C.: Smithsonian Institution Press, 2003). ; 17. S. Freud, Inhibitions, Symptoms and Anxiety, trans. A. Strachey (New York: Norton, 1977). ; 18. S. Freud, “Some General Remarks on Hysterical Attacks,” trans. A. Strachey, in S. Freud, The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. IX (1906-1908) (London: Vintage, 2001). ; 19. H. Gernsheim, A. Gernsheim, A Concise History of Photography (London: Thames & Hudson, 1971). ; 20. V. Goldberg, The Power of Photography: How Photographs Changed our Life (New York: Abbeville Publishing Group, 1991). ; 21. M. Heidegger, Being and Time, trans. J. Stambaugh (Albany: State University of New York Press, 1996). ; 22. J. Hunter, Image and Word: The Interaction of Twentieth-Century Photographs and Texts (Cambridge, London: Harvard University Press, 1987). ; 23. M. Jay, “Photography and the Event,” in Double Exposure. Memory and Photography, ed. O. Shevchenko (New Brunswick: Transaction Publishers, 2014). ; 24. S. Kracauer, The Mass Ornament: Weimar Essays, trans. Th. Y. Levin (Cambridge: Harvard University Press, 1995). ; 25. G. E. Lessing, Laocoon: An Essay on the Limits of Painting and Poetry, trans. E. Frothingham (Mineola: Dover Publications, 2005). ; 26. O. Lugon, Le style documentaire. D’August Sander à Walker Evans, 1920-1945 (Paris: Éditions Macula, 2011). ; 27. M. Merleau-Ponty, The Visible and the Invisible, trans. C. Lefort, (Evanston: Northwestern University Press, 1968). ; 28. M. Michałowska, Foto-teksty. Związki fotografii z narracją (Poznań: Wydawnictwo Naukowe UAM, 2012). ; 29. J.-L. Nancy, Être singulier pluriel (Paris: Galilée, 1996). ; 30. B. Newhall, The History of Photography from 1839 to the Present Day, (New York: Museum of Modern Art, 1949). ; 31. Potential History: Photographic Documents from Mandatory Palestine (Wrocław: European Culture Congress, 2011). ; 32. J. Rancière, Courts voyages aux pays du peuple (Paris: Seuil, 1990). ; 33. J. Rancière, La méthode de l’égalité (Montrouge: Bayard). ; 34. J. Riis, How the Other Half Lives (San Bernardino: ReadaClassic.com, 2010). ; 35. C. Schloss, In Visible Light: Photography and the American Writer, 1810–1940 (New York: Oxford University Press, 1987). ; 36. B. Stiegler, Bilder der Photographie: Ein Album photographischer Metaphern (Frankfurt: Suhrkamp, 2006). ; 37. W. Stott, Documentary Expression and Thirties America (New York: Oxford University Press, 1973).


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oai:rcin.org.pl:62220 ; oai:rcin.org.pl:62220 ; 0867-0633 ; 10.18318/td.2015.en.2.7


IBL PAN, call no. P.I.2524 ; click here to follow the link



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Mościcki P. - Snapshots of Intimate Encounters Dec 20, 2018


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