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Image as a Situation: Tragedy, Subjectivity and Painting According to Barnett Newman
This publication is protected by copyright. Access to its digital version is possible on computer terminals in the institution that shares it.
This publication is protected by copyright. Access to its digital version is possible on computer terminals in the institution that shares it.

Title: Image as a Situation: Tragedy, Subjectivity and Painting According to Barnett Newman

Creator:

Rejniak-Majewska, Agnieszka ORCID ; Pytalski, Jan : Tł.

Date issued/created:

2015

Resource type:

Text

Subtitle:

Vol. 2 (2015) - Special Issue - English Edition

Publisher:

IBL PAN

Place of publishing:

Warszawa

Description:

21 cm ; Pol. text, eng. summary

Type of object:

Journal/Article

References:

1. Barnett Newman. Selected Writings and Interviews, ed. J. P. O’Neill (New York: Knopf, 1990).
2. P. Crowther, “Barnett Newman and the Sublime,” Oxford Art Journal, 7 (2) (1984): 52-56.
3. S. Guilbaut, Jak Nowy Jork ukradł ideę sztuki nowoczesnej. Ekspresjonizm abstrakcyjny, wolność i zimna wojna [How New York Stole the Idea of Modern Art], (Chicago: University of Chicago Press, 1985), trans. E. Mikina (Warsaw: Hotel Sztuki, 1992).
4. Th. Hess, Barnett Newman, (New York: Museum of Modern Art, 1971).
5. M. Leja, “Barnett Newman’s Solo Tango,” Critical Inquiry, 21 (1995): 556-580.
6. M. Leja, Reframing Abstract Expressionism. Subjectivity and Painting in the 1940s, (New Haven–London: Yale University Press, 1993).
7. J. F. Lyotard, “Newman. The Instant,” in The Lyotard Reader, ed. A. Benjamin, (Oxford: Blackwell, 1991).
8. J. F. Lyotard, “Wzniosłość i awangarda,” [“The Sublime and the Avant-Garde”] trans. M. Bieńczyk, Teksty Drugie, 2/3 (1996): 173-189.
9. F. Nietzsche, Narodziny tragedii, albo Grecy i pesymizm [The Birth of Tragedy], trans. and intro. B. Baran (Kraków: Inter-Esse, 1994).
10. J. Rushing, “Decade of Decision,” Art Journal, 54 (1) (1995): 90.
11. J. Rushing, “The Impact of Nietzsche and Northwest Coast Indian Art on Barnett Newman’s Idea of Redemption in the Abstract Sublime,” Art Journal, Fall (1988): 187-195.
12. I. Sandler, The New York School. The Painters and Sculptors of the Fifties (New York: 1978).
13. The School of New York exhibition catalogue, Perls Gallery, Beverly Hills, California, 1951.
14. R. Shiff, “Criticism at Odds with Its Art. Prophecy, Projection, Doubt, Paranoia,” Common Knowledge, 9 (3) (2003): 455-456.
15. S. Zucker, “Confrontations with Radical Evil. The Ambiguity of Myth and the Inadequacy of Representation,” Art History, 24 (3) (2001): 379-400.

Relation:

Teksty Drugie

Issue:

2

Start page:

123

End page:

146

Detailed Resource Type:

Article : original article

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:62218 ; 0867-0633 ; 10.18318/td.2015.en.2.9

Source:

IBL PAN, call no. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Rights Reserved - Restricted Access

Terms of use:

Copyright-protected material. Access only on terminals at the Institute of Literary Research of the Polish Academy of Sciences, may be used within the limits of statutory user freedoms.

Original in:

Library of the Institute of Literary Research PAS

Projects co-financed by:

Ministry of Science and Higher Education

Access:

Closed

Object collections:

Last modified:

Dec 13, 2022

In our library since:

Apr 4, 2017

Number of object content downloads / hits:

10

All available object's versions:

https://rcin.org.pl/publication/81566

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