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This publication is protected and available only for logged users.

Title: “Realism,” Embodied Subjects, Projection of Empathy


Vol. 2 (2015) - Special Issue - English Edition



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21 cm ; Pol. text, eng. summary


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2. B. Buchloh; see his “From Faktura to Factography,” October 30 (1984, Autumn): 102-106.
3. W. Benjamin, The Arcades Project, trans. H. Eiland and K. McLaughlin (Cambridge, MA–London: Belknap Press).
4. S. Cavell, The Claim of Reason: Wittgenstein, Skepticism, Morality, and Tragedy, (New York–Oxford: Oxford University Press, 1999).
5. S. Cavell, “A Matter of Meaning It,” in Must We Mean What We Say? (Cambridge: Cambridge University Press, 1976).
6. S. Cavell, The World Viewed. Reflections on the Ontology of Film, (Cambridge, MA–London, 1979).
7. T. J. Clark, Farewell to an Idea: Episodes from a History of Modernism (New Haven–London: Yale University Press, 1999).
8. T. J. Clark, Image of the People. Gustave Courbet and the 1848 Revolution (Berkeley–Los Angeles: University of California Press, 1999).
9. G. Courbet, Exhibition and Sale of Forty Paintings and Four Drawings by Gustave Courbet (“The Realist Manifesto”), Paris 1855, quoted at http://www.musee-orsay.fr/en/collections/courbet-dossier/courbet-speaks.html, accessed August 30, 2015.
10. J. Crary, Suspensions of Perception: Attention, Spectacle, and Modern Culture (Cambridge, MA: MIT Press, 2001).
11. J. Crary, Techniques of the Observer. On Vision and Modernity in the 19th Century (Cambridge, MA–London: MIT Press, 1990).
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13. M. Fried, Courbet’s Realism (Chicago–London: University of Chicago Press, 1992).
14. M. Fried, Four Honest Outlaws: Sala, Ray, Marioni, Gordon (New Haven: Yale University Press, 2011).
16. M. Fried, Menzel’s Realism: Art and Embodiment in Nineteenth-Century Berlin (New Haven–London: Yale University Press, 2002).
17. M. Fried, Realism. Writing, and Disfiguration. On Thomas Eakins and Stephen Crane (Chicago/London: University of Chicago Press, 1987).
18. M. Fried, “Thoughts on Caravaggio,” Critical Inquiry 24, (1997): 13-56.
19. C. Greenberg, Modernist Painting, in Greenberg, The Collected Essays and Criticim. Volume 4. Modernism With a Vengeance - 1957-1969, ed. J. O’Brian (University of Chicago Press, 1993).
20. S. Guilbaut, How New York Stole the Idea of Modern Art, trans. A. Goldhammer (Chicago: University of Chicago Press, 1985).
21. Gustave Flaubert – George Sand Correspondence (Paris: Flammarion, 1981).
22. I. Kurz, “Między szokiem a rozproszeniem. Przygody obserwatora w nowoczesnym świecie,” in Zawieszenia percepcji (afterword in the Polish edition of Suspensions of Perception; Warszawa: Wydawnictwo Uniwersytetu Warszawskiego, 2009).
23. D. LaCapra, Madame Bovary on Trial (Ithaca–London: Cornell University Press, 1982).
24. K. Marx, Early Writings, trans. R. Livingstone and G. Benton (London: Penguin Books, 1975).
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26. Michael Fried in Conversation with Stephen Shore, in Stephen Shore (London: Phaidon, 2007).
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28. J. Rancière, “From Politics to Aesthetics?,” Paragraph 28, 1 (2005): 13-25.
29. J. Rancière, “Notes on the Photographic Image,” Radical Philosophy 156 (2009): 8-15.
30. Ch. Rosen, H. Zerner, Romanticism and Realism: The Mythology of Nineteenth-Century Art (New York: Viking, 1984).
31. S. Wilson, “‘La Beauté Révolutionnaire’? Réalisme Socialiste and French Painting 1935-1954,” Oxford Art Journal 3 (2) (2008): 61-69.


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oai:rcin.org.pl:62217 ; 0867-0633 ; 10.18318/td.2015.en.2.10


IBL PAN, call no. P.I.2524 ; click here to follow the link



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