Vol. 1 (2017) - Special Issue - English Edition
21 cm ; Tekst pol., streszcz. ang.
1. M. Antonioni, “A Talk with Antonioni on His Films,” in The Architecture of Vision. Writings and Interviews, ed. C. di Carlo, G. Tinazzi and M. Cottina-Jones (Chicago: University of Chicago Press, 2007).
2. M. Antonioni, “Zaćmienie” [L’eclisse], in Scenariusze, trans. W. Gall (Warszawa: Wydawnictwa Artystyczne i Filmowe, 1989).
3. A. Badiou, N. Truong, Eloge de l’amour (Paris: Flammarion, 2009).
4. R. Barthes, “Dear Antonioni,” in Geoffrey Nowell-Smith, L’avventura (London: British Film Institute, 1997).
5. W. Benjamin, “Capitalism as Religion,” trans. Ch. Kautzer, in The Frankfurt School on Religion: Key Writings by the Major Thinkers, ed. Ed. Mendieta (Abingdon: Routledge, 2005).
6. P. Bonitzer, Le champ aveugle. Essais sur le réalisme au cinéma (Paris: Cahiers du Cinéma, 1999).
7. S. Cavell, The World Viewed: Reflections on the Ontology of Film (Cambridge, MA: Harvard University Press, 1979).
8. J.-L. Comolli, Cinéma contre spectacle (Paris: Editions Verdier, 2009).
9. G. Deleuze, Cinema 2: The Time-Image (London: Athlone Press, 1999).
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11. G. Deleuze, F. Guattari, Mille plateaux. Capitalisme et schizophrénie, II (Paris: Editions du Minuit, 1980).
12. M. Heidegger, “The Age of the World Picture,” in Off the Beaten Track, trans. J. Young and K. Hayes (Cambridge: Cambridge University Press, 2002), 57-72.
13. J. Lacan, “Position of the Unconscious,” trans. B. Fink, in Reading Seminar XI. Lacan’s Four Fundamental Concepts of Psychoanalysis, ed. R. Feldstein, B. Fink, and M. Jaanus (New York: State University of New York Press, 1995).
14. J. Lacan, Le séminaire. Livre X: L’angoisse (Paris: Editions du Seuil, 2004).
15. K. Marx, F. Engels, The Communist Manifesto: A Modern Edition (London: Verso, 2012).
16. Ch. Metz, “Le cinéma moderne et la narrativité”, in Essais sur la signification au cinéma, vol. 2 (Paris: Klincksieck, 1983).
17. J. Moure, Michelangelo Antonioni. Cinéaste de l’évidement (Paris: L’Harmattan, 2001).
18. J. Moure, Vers une esthétique du vide au cinéma (Paris: L’Harmattan, 2000).
19. P. P. Pasolini, “The Cinema of Poetry,” in Movies and Methods, vol. 1, ed. B. Nichols (Berkeley: University of California Press, 1976).
20. P. P. Pasolini, “Je défends Le Désert rouge,” in Ecrits sur le cinéma. Petits dialogues avec les films (1957-1974), trans. H. Joubert-Laurencin (Paris: Cahiers du Cinéma, 2000), 128-129.
21. M.-C. Ropars-Wuilleumier, “L’espace et le temps dans l’univers d’Antonioni,” Etudes cinématographiques (Michelangelo Antonioni, l’homme et l’objet) 36-37 (1964) : 115.
22. T. Różewicz, “avalanche,” trans. J. Trzeciak, accessed March 24, 2017, http://littlestarjournal.com/blog/2011/02/rozewicz-comes-to-america-ii//.
23. J. Rhym, “Towards a Phenomenology of Cinematic Mood: Boredom and the Affect of Time in Antonioni’s L’eclisse,” New Literary History 43 (2012): 480.
https://doi.org/10.1353/nlh.2012.0027
oai:rcin.org.pl:66412 ; 0867-0633 ; 10.18318/td.2017.en.1.10
IBL PAN, sygn. P.I.2524 ; kliknij tutaj, żeby przejść
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Instytut Badań Literackich Polskiej Akademii Nauk
Biblioteka Instytutu Badań Literackich Polskiej Akademii Nauk
20 lut 2024
9 paź 2018
761
https://rcin.org.pl/publication/85895
Nazwa wydania | Data |
---|---|
Mościcki P. - Shadows in a Petrifying City | 20 lut 2024 |
Kosiba, Antoni
Jasielska, Aleksandra
Darwin, Charles, (1809–1882)