21 cm ; Tekst pol., streszcz. ang.
1. C. Altieri, The Particulars of Rapture: An Aesthetics of the Affects, Cornell University Press, Ithaca, NY 2003, s. 47
2. M. Bachtin, Formy czasu i czasoprzestrzeni w powieści, w: tegoż, Problemy literatury i estetyki, przeł. W. Grajewski, Czytelnik, Warszawa 1982.
3. M. Bal, Antropometamorfoza: rozwidlające się ścieżki i kryształy w filozofii czasu Louise Bourgeois, przeł. D. Kozińska, "Teksty Drugie" 2003 nr 2/3, s. 314-331.
4. M. Bal, Double Exposures. The Subject of Cultural Analysis, Routledge, New York 1996.
5. M. Bal, Louise Bourgeois Spider. The Architecture of Art-writing, University of Chicago Press, Chicago 2001.
6. M. Bal, Narratology. Introduction to the Theory of Narrative, University of Toronto Press, Toronto 1997.
7. M. Bal, Quoting Caravaggio. Contemporary Art, Preposterous history, University of Chicago Press, Chicago 1999.
8. M. Bal, Reading Rembrandt. Beyond the Word-Image Opposition, Cambridge University Press, New York 1991.
9. M. Bal, Religious Canon and Literary Identity, w: European Electronic Journal for Feminist Exegesis Sept. 2000.
10. M. Bal, Travelling Concepts in the Humanities. A Rough Guide, Toronto University Press, Toronto 2002.
11. B. Bettelheim, Cudowne i pożyteczne. O znaczeniach i wartościach baśni, przeł. D. Danek, PIW, Warszawa 1985.
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16. M.B.N. Hansen, Affect as Medium, or the Digital-Facial-Image, "Journal of Visual Culture" 2003 nr 2, s. 205-228.
17. D. Harter, Bodies in Pieces. Fantastic Narrative and the Poetics of the Fragment, Stanford University Press, Stanford, CA 1996.
18. M. Heidegger, Bycie i czas, przeł. B. Baran, PWN, Warszawa 2004, s. 177.
19. A.V. Janssens, Ann Veronica Janssens. Une image différente dans chaque oeil / A Different Image in Each Eye, ed. by L. Jacob, french transl. by D. Vander Gucht, Espace 251 Nord, Liège 1999.
20. J. Laplanche, J.-B. Pontalis, The Language of Psychoanalysis, trans. by D. Nicholson-Smith, Karnac Books, London 1988, s. 370-72.
21. P. Marrati, Gilles Deleuze: cinéma et philosophie, PUF, Paris 2003, s. 51.
22. T. Reynolds, Case Studies in Cognitive Metaphor and Interdisciplinary Analysis. Physics, Biology, Narrative, Columbia University Press, New York 2000.
23. P. Ricoeur, Time and Narrative, vol. 3, trans. by. K. Blamey, D. Pellauer, University of Chicago Press, Chicago 1988, s. 60-88.
24. K. Silverman, All Things Shining, w: Loss. The Politics of Mourning, ed. by D.L. Eng, D. Kazanjian, afterword by J. Butler, University of California Press, Berkeley, CA 2003, s. 232-242.
25. K. Silverman, How to Stage the Death of God, w: E.-L. Ahtila, Fantasized Persons and Taped Conversations, ed. M. Hirvi, A Museum of Contemporary Art Publication, Helsinki 2002, s. 189-95.
26. K. Silverman, World Spectators, Stanford University Press, Stanford 2000, s. 29.
27. K. Silverman, World Spectators, Stanford University Press, Stanford, CA 1999.
28. G.Ch. Spivak, Translators Preface and Afterword to Mahasweta Devi's Imaginary Maps, w: The Spivak Reader, ed. by D. Landry, G. MacLean, Routledge, New York 1996, s. 267-308.
29. E. van Alphen, Caught by History: Holocaust Effects in Contemporary Art, Literature, and Theory, Stanford University Press, Stanford 1997.
30. E. van Alphen, Francis Bacon and the Loss of Self, Reaktion Books, London 1992.
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Institute of Literary Research of the Polish Academy of Sciences
Library of the Institute of Literary Research PAS
Programme Innovative Economy, 2010-2014, Priority Axis 2. R&D infrastructure ; European Union. European Regional Development Fund
Feb 20, 2024
Jan 27, 2015
2715
https://rcin.org.pl/ibl/publication/67201
Edition name | Date |
---|---|
Bal M. - A gdyby tak? Język afektu | Feb 20, 2024 |
Alphen, Ernst van Sendyka, Roma Bojarska, Katarzyna
Leśniakowska, Marta
Jirsa, Tomáš
Kowalcze-Pawlik, Anna
Rybicka, Elżbieta