Tytuł:

Kraków – Troja : geografia wyobrażona Stanisława Wyspiańskiego

Inny tytuł:

Kraków – Troy : Stanisław Wyspiański’s imaginative geography ; Architektura w mieście, architektura dla miasta : przestrzeń publiczna w miastach ziem polskich w "długim" dziewiętnastym wieku ; Zabór austriacki

Twórca:

Szymański, Wojciech (1985– )

Współtwórca:

Łupienko, Aleksander (1980– ) : Editor ; Zabłocka-Kos, Agnieszka (1957– ) : Editor ; Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla

Wydawca:

Instytut Historii PAN

Miejsce wydania:

Warszawa

Data wydania/powstania:

2019

Opis:

p. 219-237 ; 24 cm ; Abstract in English

Typ obiektu:

Book/Chapter

Temat i słowa kluczowe:

cities and towns - Poland - history - 19th c. ; cities and towns - Poland - history - 1900-1945 ; architecture and society - Poland - history - 19th c. ; architecture and society - Poland - history - 1900-1945 ; Wyspiański, Stanisław (1869-1907) - criticism and interpretation ; Wyspiański, Stanisław (1869-1907) - and Kraków ; Zamek Królewski na Wawelu (Kraków, Poland) - in art ; acropolis ; Troy (extinct city) - in literature ; Troy (extinct city) - in art ; Wawel (Cracow, Poland) ; Schliemann, Heinrich (1822-1890) - influence

Abstrakt:

The article focuses on Stanisław Wyspiański’s geo-poetry and imaginative topography of the city of Kraków. The artist’s characteristic and creative thinking about the city and its vicinity was presented in relation to his epistolary, dramatic, poetic, and plastic works. Kraków, and especially Wawel, central to the city’s topography and history, appear here as Troy and Troas. The main thesis in the article is the identification of Wawel Hill with the Trojan Mount made by Wyspiański, and not with the Athenian Acropolis, which was regarded as obvious and certain in historical and artistic studies into the artist’s works made so far. The author, in reference mainly to literary studies on Wyspiański (among others by Tadeusz Sinko and Ewa Miodońska-Brookes) and his poetical imagination as well as works by the artist himself, re-evaluates the traditional and well-established reading of projected, architectural and urbanistic collaboration between Wyspiański and Władysław Ekielski in the form of the text “Acropolis. Wawel Reconstruction Project” published by the latter in the “Architekt” periodical in 1908, afterWyspiański’s death. What emerges from the interpretation presented here is the view of Krakówas the new Troy rather than the new Athens.

Strona pocz.:

219

Strona końc.:

237

Typ zasobu:

Text

Szczegółowy typ zasobu:

Chapter

Identyfikator zasobu:

978-83-65880-53-6

Źródło:

IH PAN, call no. II.14682 ; IH PAN, call no. II.14681 Podr. ; kliknij tutaj, żeby przejść

Język:

pol

Język streszczenia:

eng

Prawa:

Creative Commons Attribution BY-ND 4.0 license

Zasady wykorzystania:

Copyright-protected material. [CC BY-ND 4.0] May be used within the scope specified in Creative Commons Attribution BY-ND 4.0 license, full text available at: ; -

Digitalizacja:

Institute of History of the Polish Academy of Sciences

Lokalizacja oryginału:

Library of the Institute of History PAS

Dostęp:

Open