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The Art of the Document: Photography and Trauma
This publication is protected by copyright. Access to its digital version is possible on computer terminals in the institution that shares it.
This publication is protected by copyright. Access to its digital version is possible on computer terminals in the institution that shares it.

Title: The Art of the Document: Photography and Trauma

Creator:

Michałowska, Marianna ; Niedźwiedź, Tomasz : Tł.

Date issued/created:

2015

Resource type:

Text

Subtitle:

Vol. 2 (2015) - Special Issue - English Edition

Publisher:

IBL PAN

Place of publishing:

Warszawa

Description:

21 cm ; Pol. text, eng. summary

Type of object:

Journal/Article

References:

1. R. Barthes, „Rhetoric of the Image,” in Classic Essays on Photography, ed. A. Trachtenberg (New Haven: Leete Islands Books, 1980).
2. A. Bazin, „The Ontology of the Photographic Image,” trans. H. Gray, in Classic Essays on Photography, ed. A. Trachtenberg (New Haven: Leete Islands Books, 1980).
3. W. Benjamin, “Powrót flâneura,” trans. A. Kopacki, Literatura na Świecie, 8-9 (2001):
4. W. Benjamin, „The Work of Art. In the Age of Mechanical Reproduction,” 1936, trans. into Polish by J. Sikorski, in Anioł historii. Eseje, szkice, fragmenty, comp. & trans. H. Orłowski (Poznań: Wydawnictwo Poznańskie, 1996).
5. H. Buczyńska-Garewicz, Semiotyka Pierce’a (Warszawa: Biblioteka Myśli Semiotycznej, Polskie Towarzystwo Semiotyczne, 1994).
6. J. Derrida, Aporias ( Stanford: Stanford University Press, 1993).
7. J. Derrida, „The Deaths of Roland Barthes,” in Philosophy and Non-Philosophy since Merleau-Ponty, ed. H. Silverman (New York: Routledge, 1998).
8. G. Metken, “Was wir brauchen sind Reliquien,” in Christian Boltansky, Inventar, exhibition catalogues (Hamburger Kunsthalle, 1991).
9. M. Michałowska, „Ślad – fotografia i semiotyka,” Parergon, 2 (2002/2003).
10. R. Różański, „Walter Benjamin, Marcel Proust i estetyka wspomnienia,” Parergon, 2 (2002/2003).
11. „Rzecz o buchalterii zła,” P. Litka interviews D. Jabłoński, Tygodnik Powszechny, 33 (1998): 13.
12. M. Sandbye, „Photographic Anamnesis: The Past in the Present,” in Symbolic Imprints: Essays on Photography and Visual Culture, eds. L. K. Bartelsen, R. Gode and M. Sandbye, (Aarhus University Press, 1999).
13. S. Sontag, O fotografii, trans. S. Magala (Warszawa: WAiF, 1986).
14. J. Strękowski, „Kilka Wątpliwości,” http://www.republika.pl/fotoamator.
15. T. Szyma, “Dokument skorygowany,” Kino, 10 (1998).
16. J. Tagg, The Burden of Representation. Essays on Photographies and Histories (Minneapolis: University of Minnesota Press, 1999).
17. J. E. Young, At Memory’s Edge. After-Images of the Holocaust in Contemporary Art and Architecture, (Yale: Yale University Press 2000).

Relation:

Teksty Drugie

Issue:

2

Start page:

55

End page:

69

Detailed Resource Type:

Article : original article

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:62222 ; 0867-0633 ; 10.18318/td.2015.en.2.5

Source:

IBL PAN, call no. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Rights Reserved - Restricted Access

Terms of use:

Copyright-protected material. Access only on terminals at the Institute of Literary Research of the Polish Academy of Sciences, may be used within the limits of statutory user freedoms.

Original in:

Library of the Institute of Literary Research PAS

Projects co-financed by:

Ministry of Science and Higher Education

Access:

Closed

Object collections:

Last modified:

Oct 2, 2020

In our library since:

Apr 4, 2017

Number of object content downloads / hits:

14

All available object's versions:

https://rcin.org.pl/publication/81562

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