Subtitle:

Ethnologia Polona 37 2016 (2017)

Publisher:

Institute of Archaeology and Ethnology Polish Academy of Sciences

Place of publishing:

Warsaw

Description:

ill. ; 24 cm

Type of object:

Journal/Article

Abstract:

The author, through the analysis of a case study, examines the issue of building and evolving identity under the influence of migration and cultural variation. Throughout the biographic method employed, he presents the Tibetan artist, Gonkar Gyatso and his works, showcasing how his approach to his own identity has changed over the years

References:

bsTan pa rab brtan. 2007. Bod kyi srol rgyun mdzes rtsal las bris ’bur gnyis kyi byung ba mdo tsam brjod pa. Pe cin
brTson ’grus rab rgyas and rDo rje rin chen. 2001. Bod kyi ri mo spyi’i rnam gzhag blo gsal ’jug sgo. Pe cin
Allinger E. 2007. Representations of the Twenty-eight Buddhas of Former Aeons. In Bagan. G. Bhattacharya, G.J.R. Mevissen, M.M.S. Sinha (eds), KALHĀR Studies in Art, Iconography, Architecture and Archaeology of India and Bangladesh. Professor Enamul Haque Felicitation Volume, New Delhi, 73–80
Cutting S. C. 1937. A Photograph of Tsering Döndrup, Lhasa, http://tibetanmaterialhistory.wikischolars.columbia.edu/file/view/bob1-3.jpg/100489381/bob1-3.jpg. Access: 10.12.2017
Cutting S. C. 1947. The Fire Ox and Other Years, London
Gonkar Gyatso. 2003. No Man’s Land: Real and Imaginary Tibet: The Experience of an Exiled Tibetan Artist, The Tibet Journal 28 (1/2, Spring & Summer)
Gonkar Gyatso. 2009. Buddha in Modern Times. In Tibetan Arts in Transition: A Journey through Theatre, Cinema and Painting. Seminars Proceedings, Rome and Naples
Gonkar Gyatso. 2009. Gonkar Gyatso, Venice Biennale 2009, London
Gonkar Gyatso. http://gonkargyatso.com/about-the-artist/artist’s-bio. Access 10.10.2017
Harris C. 1997. Struggling with Shangri-La: The Works of Gongkar Gyatso. In Frank Korom (ed.), Constructing Tibetan Culture: Contemporary Perspectives, Montreal
Harris C. 2012. The Museum on the Roof of the World, Chicago and London
Henss M. 2014. The Cultural Monuments of Tibet, Prestel, Munich, London, New York
Jackson D. and Jackson J. 1984. Tibetan Thangka Painting: Methods and Materials, Ithaca, New York
Jackson D. 2012. The Place of Provenance: Regional Styles in Tibetan Painting, New York
Jamyang Norbu. http://www.jamyangnorbu.com/blog/2014/10/27/a-cup-of-tea-and-a-slice-of-art-please/. Access 10.10.2017
Linrothe R. 2004. Paradise and Plumage: Chinese Connections in Tibetan Arhat Painting, New York, Chicago
Reilly M. 2012. Gonkar Gyatso: “[A] product of occupied-Tibet”. In Gonkar Gyatso: Three Realms, Brisbane
Reynolds V. and Heller A. 1983. Catalogue of the Newark Museum Tibetan Collection. Volume I, New Jersey
Reynolds V. 1999. From the Sacred Realm: Treasures of Tibetan Art from The Newark Museum, Prestel, Munich, London, New York
Scoggin T. V. 2007. Making Waves: The Rimo of Curating Contemporary Tibetan Art Through an Anthropological Lens, http://www.asianart.com/exhibitions/waves/rimo.html. Access 10.10.2017

Relation:

Ethnologia Polona

Volume:

37

Start page:

83

End page:

100

Detailed Resource Type:

Article

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:66275 ; 0137-4079

Source:

IAiE PAN, call no. P 366 ; IAiE PAN, call no. P 367 ; IAiE PAN, call no. P 368 ; click here to follow the link

Language:

eng

Rights:

Rights Reserved - Free Access

Digitizing institution:

Institute of Archaeology and Ethnology of the Polish Academy of Sciences

Original in:

Library of the Institute of Archaeology and Ethnology of the Polish Academy of Sciences

Access:

Open