Title: Coffitivity: dźwięk, praca kreatywna i posthegemonia


Szarecki, Artur

Date issued/created:


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Article : original article


Teksty Drugie Nr 5 (2015)



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21 cm ; Pol. text, eng. summary


1. Alter, D. Oppenheimer, Effects of fluency on psychological distance and mental construal (or Why New York is a large city, but New York is a civilized jungle), „Psychological Science” 2008 nr 19, s. 161-167. ; click here to follow the link ; 2. M. Augé, Nie-miejsca. Wprowadzenie do antropologii hipernowoczesności, PWN, Warszawa 2010. ; 3. J. Beasley-Murray, Posthegemony. Political theory and Latin America, University of Minnesota Press, Minneapolis 2010. ; 4. K. Bijsterveld, Mechanical sound: technology, culture, and public problems of noise in the twentieth century, The MIT Press, Cambridge and London 2008. ; click here to follow the link ; 5. P. Clough, The affective turn. Political economy, biomedia and bodies, „Theory, Culture, and Society” 2008 nr 25(1), s. 1-22. ; 6. S. Connor, The modern auditory I, w: Rewriting the self: histories from the Renaissance to the present, red. R. Porter, Routledge, London and New York 1997. ; 7. Cowan, The social life of coffee. The emergence of the British coffeehouse, Yale University Press, New Haven and London 2005. ; 8. Ch. Cox, Beyond representation and signification: toward a sonic materialism, „Journal of Visual Culture” 2011 nr 10(2), s. 145-161. ; 9. J. Crary, 24/7. Późny kapitalizm i koniec snu, Karakter, Kraków 2015. ; 10. M. Ellis, The coffee-house. A cultural history, Widenfeld and Nicolson, London 2004. ; 11. V. P. Glăvenau, Distributed creativity, Springer, Cham et al. 2014. ; 12. S. Goodman, Sonic warfare. Sound, affect, and the ecology of fear, The MIT Press, Cambridge and London 2010. ; 13. Habermas, Strukturalne przeobrażenia sfery publicznej, przeł. W. Lipnik, M. Łukasiewicz, PWN, Warszawa 2007. ; 14. Hardt, Praca afektywna, „Kultura Współczesna” 2012 nr 3(74), s. 83-93. ; 15. Kassabian, Ubiquitous listening: affect, attention, and distributed subjectivity, University of California Press, Berkeley et al. 2013. ; 16. Korczynski, K. Jones, Instrumental music? The social origins of broadcast music in British factories, „Popular Music” 2006 nr 25(2), s. 145-164. ; 17. LaBelle, Acoustic territories. Sound culture and everyday life, Continuum, New York and London 2010. ; 18. J. Lanza, Elevator music. A surreal history of Muzak, easy-listening, and other moodsong, Picador USA, New York 1994. ; 19. S. Lash, Power after hegemony, „Theory, Culture and Society” 2007 nr 24(3), s. 55-78. ; 20. McWilliams, Flat white economy, Duckworth Overlook, London and New York 2015. ; 21. R. Mehta, R. Zhu, A. Cheema, Is Noise Always Bad? Exploring the Effects of Ambient Noise on Creative Cognition, „Journal of Consumer Research” 2012 nr 39(4), s. 784-799. ; 22. O’Callaghan, Sounds. A philosophical theory, Oxford University Press, Oxford 2007. ; 23. K. Sawyer, Explaining creativity, Oxford University Press, Oxford 2012. ; 24. W. Schrimshaw, Non-cochlear sound. On affect and exteriority, [w:] Sound, music, affect, red. M. Thompson, Ian Biddle, Bloomsbury, London et al. 2013. ; 25. Sennett, Upadek człowieka publicznego, przeł. H. Jankowska, Muza, Warszawa 2009. ; 26. J. Sterne, Sounds like the mall of America. Programmed music and the architectonics of commercial space, „Ethnomusicology” 1997 nr 41(1), s. 22-50. ; 27. N. Thrift, Non-representational theory. Space, politics, affect, Routledge, London and New York 2008. ; 28. Thompson, The soundscape of modernity, The MIT Press, Cambridge and London, 2002. ; 29. Williamson, You are the music. How music reveals what it means to be human, Icon Books, London 2014.


Teksty Drugie



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oai:rcin.org.pl:64975 ; 10.18318/td. ; 0867-0633


IBL PAN, call no. P.I.2524 ; click here to follow the link



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Institute of Literary Research of the Polish Academy of Sciences

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Dec 20, 2018

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