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Image as a Situation: Tragedy, Subjectivity and Painting According to Barnett Newman
This publication is protected by copyright. Access to its digital version is possible on computer terminals in the institution that shares it.
This publication is protected by copyright. Access to its digital version is possible on computer terminals in the institution that shares it.

Title: Image as a Situation: Tragedy, Subjectivity and Painting According to Barnett Newman

Creator:

Rejniak-Majewska, Agnieszka ORCID ; Pytalski, Jan : Tł.

Date issued/created:

2015

Resource type:

Tekst

Subtitle:

Vol. 2 (2015) - Special Issue - English Edition

Publisher:

IBL PAN

Place of publishing:

Warszawa

Description:

21 cm ; Tekst pol., streszcz. ang.

Type of object:

Czasopismo/Artykuł

References:

1. Barnett Newman. Selected Writings and Interviews, ed. J. P. O’Neill (New York: Knopf, 1990).
2. P. Crowther, “Barnett Newman and the Sublime,” Oxford Art Journal, 7 (2) (1984): 52-56.
3. S. Guilbaut, Jak Nowy Jork ukradł ideę sztuki nowoczesnej. Ekspresjonizm abstrakcyjny, wolność i zimna wojna [How New York Stole the Idea of Modern Art], (Chicago: University of Chicago Press, 1985), trans. E. Mikina (Warsaw: Hotel Sztuki, 1992).
4. Th. Hess, Barnett Newman, (New York: Museum of Modern Art, 1971).
5. M. Leja, “Barnett Newman’s Solo Tango,” Critical Inquiry, 21 (1995): 556-580.
6. M. Leja, Reframing Abstract Expressionism. Subjectivity and Painting in the 1940s, (New Haven–London: Yale University Press, 1993).
7. J. F. Lyotard, “Newman. The Instant,” in The Lyotard Reader, ed. A. Benjamin, (Oxford: Blackwell, 1991).
8. J. F. Lyotard, “Wzniosłość i awangarda,” [“The Sublime and the Avant-Garde”] trans. M. Bieńczyk, Teksty Drugie, 2/3 (1996): 173-189.
9. F. Nietzsche, Narodziny tragedii, albo Grecy i pesymizm [The Birth of Tragedy], trans. and intro. B. Baran (Kraków: Inter-Esse, 1994).
10. J. Rushing, “Decade of Decision,” Art Journal, 54 (1) (1995): 90.
11. J. Rushing, “The Impact of Nietzsche and Northwest Coast Indian Art on Barnett Newman’s Idea of Redemption in the Abstract Sublime,” Art Journal, Fall (1988): 187-195.
12. I. Sandler, The New York School. The Painters and Sculptors of the Fifties (New York: 1978).
13. The School of New York exhibition catalogue, Perls Gallery, Beverly Hills, California, 1951.
14. R. Shiff, “Criticism at Odds with Its Art. Prophecy, Projection, Doubt, Paranoia,” Common Knowledge, 9 (3) (2003): 455-456.
15. S. Zucker, “Confrontations with Radical Evil. The Ambiguity of Myth and the Inadequacy of Representation,” Art History, 24 (3) (2001): 379-400.

Relation:

Teksty Drugie

Issue:

2

Start page:

123

End page:

146

Detailed Resource Type:

Artykuł naukowy oryginalny

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:62218 ; 0867-0633 ; 10.18318/td.2015.en.2.9

Source:

IBL PAN, sygn. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Prawa zastrzeżone - dostęp ograniczony

Terms of use:

Zasób chroniony prawem autorskim. Korzystanie dozwolone wyłącznie na terminalach Instytutu Badań Literackich PAN w zakresie określonym przez przepisy o dozwolonym użytku.

Original in:

Biblioteka Instytutu Badań Literackich Polskiej Akademii Nauk

Projects co-financed by:

Ministra Nauki i Szkolnictwa Wyższego

Access:

Zamknięty

Object collections:

Last modified:

Dec 13, 2022

In our library since:

Apr 4, 2017

Number of object content downloads / hits:

10

All available object's versions:

https://rcin.org.pl/publication/81566

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