Object

The Aesthetics of Caprice: In the Circle of Visualization
This publication is protected by copyright. Check the terms of use in the publication description.
This publication is protected by copyright. Check the terms of use in the publication description.

Title: The Aesthetics of Caprice: In the Circle of Visualization

Subtitle:

Vol. 2 (2015) - Special Issue - English Edition

Publisher:

IBL PAN

Place of publishing:

Warszawa

Description:

21 cm ; Pol. text, eng. summary

References:

1. G. Bachelard, “Il mondo come capriccio e miniature,” ed. F. Conte (Milano: Claudio Gallone, 1997). ; 2. R. Barthes, Arcimboldo ou rhetotiqueur et magicien, in Oeuvres completes, vol. 3, ed. É. Marty (Paris: Seuil, 1995), 493–511. ; 3. H. Belting, An Anthropology of Images, (Princeton: Princeton University Press, 2011). ; 4. J. Błoński, Introduction to G. Bachelard, Wyobraźnia poetycka. Wybór pism, ed. H. Chudak, trans. H. Chudak and A. Tatarkiewicz (Warszawa: PIW, 1975). ; 5. Fr. X. J. Coleman, The Aesthetic Thought of the French Enlightenment (Pittsburgh: University of Pittsburgh Press, 1971). ; 6. G. Didi-Huberman, Ninfa Moderna. Essai sur le drapé tombé (Paris: Gallimard, 2002). ; 7. Dizionario enciclopedico dell’arte, ed. F. Caroli (Milan: Mondadori 2008). ; 8. Dizionario di estetica, ed. G. Carchia, et al (Rome, Bari: GLF Editori, 2005). ; 9. C. Eisler “La Tempesta di Giorgione. Il primo „capriccio” della pittura veneziana,” Arte Veneta 59 (2002): 84-97. ; 10. Enciclopedia dell’Arte Zanichelli (Bologna: Zanichelli, 2004). ; 11. R. Kanz, Die Kunst des Capriccio. Kreativer Eigensinn in Renaissance und Barok (Munich: Deutscher Kunstverlag, 2002). ; 12. J. Mukařovský, “Sémantický rozbor básnického díla: Nezvalův Absolutní hrobař,” in Kapitoly z české poetiky, vol. 2 (Prague: Svoboda, 1948). ; 13. E. Panofsky, “Die Perspektive als ‘symbolische Form’,” Vortrage der Bibliotek Warburg, vol. 4, (1924-1925), 258-330. ; 14. G. Poulet, “Piranèse et les poètes romantiques français”, La Nouvelle Revue Française 160 (1966), 660-671. ; 15. C. Ripa, Iconologia (Rome: Appresso Lepido Facij, 1593). ; 16. C. Ripa, Iconologia, trans. P. Tempest (London: Benjamin Motte, 1709). ; 17. “Scena e capriccio nelle tarsie del laboratorio di Ignazio e Ligi Ravelli ebanisti", Studi Piemontesi 26 (1997): 383-390. ; 18. G. Simmel, “Wenecja,” in Simmel, Most i drzwi. Wybór esejów, trans. M. Łukasiewicz (Warszawa: Oficyna Naukowa, 2006). ; 19. J. Starobinski, Wynalezienie wolności 1700-1789, trans. M. Ochab (Gdańsk: słowo/obraz terytoria, 2006). ; 20. Wł. Tatarkiewicz, History of Aesthetics, vol. 3, trans. Ch. A. Kisiel (The Hague: Mouton, 1974). ; 21. Wł. Tatarkiewicz, A History of Six Ideas: An Essay in Aesthetics, trans. Ch. Kasparek (The Hague: Njihoff, 1980). ; 22. “Trésor de Langue Francaise Informatisé,” http://atilf.atilf.fr. ; 23. J. Vojvodík, “Świat strachu i strach przed światem w czeskim surrealizmie lat trzydziestych i czterdziestych,” Teksty Drugie 6 (2007): 50-77.

Relation:

Teksty Drugie

Issue:

2

Start page:

200

End page:

211

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:62214 ; oai:rcin.org.pl:62214 ; 0867-0633 ; 10.18318/td.2015.en.2.13

Source:

IBL PAN, call no. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Rights Reserved - Restricted Access

Terms of use:

Copyright-protected material. Access only on terminals at the Institute of Literary Research of the Polish Academy of Sciences, may be used within the limits of statutory user freedoms.

Digitizing institution:

Original in:

Library of the Institute of Literary Research PAS

Projects co-financed by:

Ministry of Science and Higher Education

Object collections:

Last modified:

Dec 20, 2018

In our library since:

Apr 4, 2017

Number of object content hits:

10

All available object's versions:

https://rcin.org.pl/publication/81570

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